Today’s post will be a triptych, like those old three-part paintings (in case you were wondering what “triptych” means and if it does indeed have anything to do with “cryptic”). Except the parts are unrelated. Well, they’re related in that they all come through me, but that’s about as far as they go.
So, on the left side, we have mind versus matter. Down at Special Collections they’ve had me and my co-worker help move several palettes of cartons from Receiving down to SpecColl, and it’s been so fun! Almost every job I’ve had has been as a knowledge worker of one sort of another, other than a one-month stint doing asphalt with my uncle (I still wonder what influence I was under when I agreed to that!). Not that they’re all cerebral, of course, and they do often involve interactions with the tangible world, but on the whole they’re all in my head. Lifting boxes, however, is different. It’s easier to gauge success with manual labor, I think — move X from point A to point B, and you know you’re done when it’s at point B. Now, I’m not about to drop my librarian dream and get a job with UPS, but I certainly don’t mind getting out of my mind every once in a while.
And in the center, I watched Corpse Bride tonight. In one way, it’s a rather twisted movie, but not necessarily in a bad way. I mean, sure, it’s morbid (kind of) and the palette is very unsaturated and dark, but I can honestly say I liked the movie. (Except for the song-and-dance routines with the disco lights. ~sigh~) Anyway, the reason I bring this up is that whenever I finish watching a movie, most of the time I feel like I’m on top of the world, regardless of how happy or sad the movie itself was. And I didn’t know why. Tonight I found out. You see, if a movie portrays a romance of some sort, I vicariously end up placing myself into it (and I think everybody does this). But when the film ends, I still feel like I’m in that relationship. It usually lasts for an hour or so before fading away into my usual singular solitude. (And I guess this means I feel like I’m married to a corpse at the moment. :P)
We’ve made it to the right panel. A tree stretches along the left side of the painting, reaching its delicate fingers across the top into a leafy arch that shades a young boy sitting at its trunk, buried in a book. From beyond the boy comes a bath of light, whispering out from the ruddy-faced sun as it slips behind the forest on the other side of the lake. Engrossed in his book, the boy doesn’t see the cluster of fairies in the upper right of the painting, dangling from the leaves, fingers pressed to their lips and twinkles in their eyes.
Now it’s your turn. What happens next?

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