Earlier today I came across an interesting post on the Mormon Artists Group blog:
What will the hymnal of 2043 be like?
If the evolution of our hymnbook is any indicator, the 2043 book will have many new voices….
Hymnals are a reflection of the church’s population. They contain the creative ideas of average church members elevated through the arts of music and literature but made sacred by their prominent use in our worship….
With that trajectory, won’t the 2043 hymnal include melodies from Argentina, Samoa, Russia, and Nigeria too? Won’t the Bach, Handel, Haydn, Mendelssohn, Meyerbeer, Sibelius, and Vaughn Williams scores be joined by the world’s greatest modern composers? Will Stravinsky, Copland, Britten, Bernstein, and Messiaen appear? The pattern of our history says yes.
I, for one, welcome the idea that my children (who will be merely my age in 2043) will sing the testimonies of people whose landscapes were starkly different from Mormon pioneers of the American West. I want them to sing the hymns of African, South American, and Asian LDS songwriters. I fully expect them to sing harmonies and rhythms that would have sounded completely wrong to my grandparents. We call that inclusion. It is the anthem of progress.
A very good question. Down in the comments, Dan Carter (who has typeset hymns for the Church for the last twenty years, and yes, I want his job ;)) has a good counterbalance explaining why such a hymnbook is unlikely.
Thoughts?
Speaking of hymns, by the way, the annual Church music submissions are due March 31, so if you’re itching to send something in, now’s the time to get on that. The last time (er, the only time :)) I submitted something was in 2005. But this year, I’m definitely going to write something, so help me. Both in the general music category and in the hymn text category, in fact.
(On the same note, the Daily Universe ran a story about the Church music festival not too long ago, along with a piece on two BYU students who write hymns.)
Anyway, let the hymnwriting begin…

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